Film Review

FATALITY

*****

Certification; 15

Length; 8minutes

Starring; Gareth Cross, Taylor Rose, Amber Knight, Luke Keeble

An unassuming businessman (Cross) goes about his business in the detached setting of a seaside town, when a seemingly automated clown draws his attention. The clown provides him with what seems to be a meaningless “fortune” that comes true. This continues for three days. On the fourth, the clown provides the man with his final fortune which results in a stalking sequence which ends with a climax full of suspense.

By casting a male victim and two female attackers “Fatality” successfully questions the traditional gender representations within the genre. The typical chronological structure of the film permits Cross’ reactions to the events that occur to appear effortless.

The skilful use of a seaside town as the setting lets the audience question the fun and carefree nature of their local coast. The cleverly rehearsed movements of the clown leads the viewers to believe that the clown is in control of its own movements, perhaps even animatronic. Many would not consider it to be just a costume in a wooden box. The only criticism I have however would be if I was ever stalked by a clown, or anything for that matter, I would not allow myself to be trapped in my bed. Would You?

The use of lighting is key to moving the storyline along and to letting the audience know the context of the film. With the majority filmed in early evening, the time restraints of when to film to create the perfect lighting for each day were easily overcome. The editing of the piece is neat and concise. The particular highlight of the piece for me regarding editing would be that of the clown/ Cross reaction sequence on the fourth day. The dexterous use of special effects and transitions makes the sequence stand out from the rest of the film, and the daring edit pace leave the audience on the edge of their seats.

The film begins with the early theme of Penny Marshall’s classic starring Tom Hanks, “Big” (1988) but soon echoes the ominous disposition of Stephen King’s “It” (1990).  The menacing nature of the clown would frighten those too young to grasp the concept of its impossible reality. This being said, “Fatality” would be enjoyed by anyone old enough to see the “Saw” heptology on the big screen.

The film is also reminiscent of “The Fates” in Greek mythology. It is understood that even the Gods were afraid of the power of Moirae. This relates well to “Fatality”. The notion that fate is something that can not be controlled and to ultimately be afraid of is one that runs smoothly throughout the film. There are elements within the film that are also indicative of soothsayers that practice divination. By not using a fortune teller or an oracle figure, the use of the clown can also be used as an unsettling reminder to the audience that clowns are icons of childhood fear.

The fatalistic nature of the film is a theme that is becoming increasingly more popular; however the complex camera work and first-rate technical skills used by the PACK production team allow “Fatality” to be one of the best in its field. Overall the film is cleverly constructed and acted brilliantly. This short film is a definite must-see.

-A copy of my constructed film review